{"id":1014,"date":"2015-07-22T17:59:15","date_gmt":"2015-07-22T17:59:15","guid":{"rendered":"http:\/\/www.data.ie\/datasite\/?p=1014"},"modified":"2022-11-05T11:21:22","modified_gmt":"2022-11-05T11:21:22","slug":"data-event-65-0","status":"publish","type":"post","link":"https:\/\/www.data.ie\/datasite\/2015\/07\/22\/data-event-65-0\/","title":{"rendered":"DATA Event 65.0"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1015\" src=\"http:\/\/www.data.ie\/datasite\/wp-content\/uploads\/2019\/05\/pirate-cinema_exhibition-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.data.ie\/datasite\/wp-content\/uploads\/2019\/05\/pirate-cinema_exhibition-300x169.jpg 300w, https:\/\/www.data.ie\/datasite\/wp-content\/uploads\/2019\/05\/pirate-cinema_exhibition-768x433.jpg 768w, https:\/\/www.data.ie\/datasite\/wp-content\/uploads\/2019\/05\/pirate-cinema_exhibition-400x225.jpg 400w, https:\/\/www.data.ie\/datasite\/wp-content\/uploads\/2019\/05\/pirate-cinema_exhibition.jpg 950w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>WHEN<\/strong>: Wednesday July 22<sup>nd<\/sup>\u00a0, 2015, 7.00 \u2013 9.00pm<\/p>\n<p><strong>WHERE:<\/strong> CONNECT (formerly CTVR) Dunlop Oriel House, Trinity College Dublin<\/p>\n<p><strong>ADMISSION:<\/strong> Free<\/p>\n<p>&nbsp;<\/p>\n<p><strong>NICOLAS MAIGRET<\/strong> exposes the internal workings of media, through an exploration of their dysfunctions, limitations or failure thresholds. After completing studies in intermedia art, Maigret joined the LocusSonus lab in Aix France, where he explored networks as a creative tool. As a curator, he initiated the disnovation.net research, a critique of innovation propaganda. He teaches at <a href=\"http:\/\/www.newschool.edu\/parsons-paris\/\">PARSONS PARIS<\/a> and cofounded the <a href=\"http:\/\/artoffailure.free.fr\/\">ART OF FAILURE<\/a> collective in 2006. His work has been presented in international exhibitions and festivals: Transmediale (Berlin) \u2013 File (Sao Paulo) \u2013 Museum of Art and Design (New York) \u2013 30th Chaos Communication Congress (Hamburg) \u2013 NWFF (Seattle) \u2013 SAIC (Chicago) \u2013 China Museum of Digital Arts (Beijing) \u2013 The Pirate Bay 10th Anniversary (Stockholm) \u2013 Palais de Tokyo (Paris) \u2013 Eastern Bloc (Montreal) \u2013 Gli.tc\/h (Birmingham)\u2026<\/p>\n<p><strong>Nicolas<\/strong> will speak about his practice and in particular the research project disnovation and the Pirate Cinema, a video composition that makes the activity of p2p file sharing networks public. <a href=\"http:\/\/thepiratecinema.com\/\">http:\/\/thepiratecinema.com<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SVEN ANDERSON<\/strong> is an artist working between Ireland and the US since 2001. Anderson\u2019s work explores the act of listening within diverse architectural, physical, social, and emotional contexts. His practice is a discursive platform that operates through artistic intervention, academic publication, participatory processes, and interactive design. He is currently involved in a yearlong public art commission for Dublin City Council, titled <em>MAP<\/em> or <em>Manual for Acoustic Planning and Urban Sound Design<\/em>. For more information visit: <a href=\"http:\/\/map.minorarchitecture.org\/\">map.minorarchitecture.org<\/a>.<\/p>\n<p><strong>\u00a0<\/strong><strong>Sven<\/strong> will speak about his project <em>Continuous Drift<\/em>, a public sound installation that launches this month. This work will be permanently integrated into Meeting House Square in Dublin. The installation acts as a framework for different sonic atmospheres that can be activated by members of the public via mobile devices, to be played back from eight loudspeakers integrated in the four retractable umbrellas that cover the square.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jul 22, 2015 @ Dunlop Oriel House, Trinity College Dublin<\/p>\n","protected":false},"author":7,"featured_media":1015,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1014","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-data-events","xfolkentry","clearfix"],"_links":{"self":[{"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/posts\/1014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/comments?post=1014"}],"version-history":[{"count":2,"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/posts\/1014\/revisions"}],"predecessor-version":[{"id":1061,"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/posts\/1014\/revisions\/1061"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/media\/1015"}],"wp:attachment":[{"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/media?parent=1014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/categories?post=1014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.data.ie\/datasite\/wp-json\/wp\/v2\/tags?post=1014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}